Bravery isn't only about heroic acts in unusual situations. It can also be as simple as the risk of trying something new. Here are 50 ideas to get you started. Allow yourself to feel what you're. Bravery is all the heroes in Boston, visible and invisible, local and global. Bravery is having the courage to stand out on social media and remind people to collect the dots, not connect them too early. Bravery is saying something different and showing empathy for our peers around the world. It's not jumping to conclusions too quickly.
Brave is a free and open-source web browser developed by Brave Software, Inc. Based on the Chromium web browser. It blocks ads and website trackers, and provides a way for users to send cryptocurrency contributions in the form of Basic Attention Tokens to websites and content creators. 'Change your fate.' Tagline Brave is Pixar's thirteenth animated feature film. The film is written by Brenda Chapman3 and directed by both Chapman and Mark Andrews.4It is produced by Katherine Sarafian. The score is composed by Patrick Doyle.5 The film was released in theatres and 3D on June 22,2012.6 1 Synopsis 2 Plot 3 Voice Cast 4 Production 4.1 Rating 5 Reception 6 Attached Short Film 7. Brave, courageous, valiant, fearless, gallant refer to confident bearing in the face of difficulties or dangers. Brave is the most comprehensive: it is especially used of that confident fortitude or daring that actively faces and endures anything threatening.
Inciting Event: The Scottish princess Merida's mother Eleanor announces that the clans are all bringing their oldest sons as suitors for Merida's hand. Merida firmly rejects this Call to Adventure. She has zero interest in being married or having her life planned out for her by her mother.
First Plot Point: The clans arrive. After learning that the rules of the competition indicate that the firstborn of each clan may compete for the princess's hand, Merida competes in the archery competition on her own behalf and wins. She infuriates her mother, who drags her to her room and insists she's endangered the peace of the kingdom. Merida lashes out and slices the tapestry Eleanor made, which depicts their family.
First Pinch Point: And… forgive me Pixar lovers (of which, I am generally one), but this is where this movie starts to go really wrong. Up to this point, this movie has been constructed as the story of a princess in a conflict over whether or not she will submit to a forced marriage. Her relationship with her mother has been the important catalyst in that conflict, but as the Inciting Event and First Plot Point prove, that relationship has not been set up as the heart of this story Free zip rar software 64 bit.
Here, at the First Pinch Point, Merida runs away, encounters a (very poorly foreshadowed) witch, and gets her to provide a spell to 'change' her mother. Knowing where the movie and its conflict head from here, this would have been a much better First Plot Point—one that was aligned with what the story was actually about, rather than what the First Act sets it up to be about.
As it stands, this all-important development not only comes very late and relatively out of the blue, it also relegates the charming witch character to a mere plot device.
Midpoint: Merida feeds the spell to her mother—and it turns her into a bear.
On the positive side: this is a huge turning point in the plot.
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On the negative side: where to start?
First of all, I have problems with the whole bear symbolism. Other than an incidental tie-in to the 'legend of the lost kingdom' and the evil bear Mordu that the father is obsessed with killing, the mother's turning into a bear brings no added dimension or insight into the plot or the theme (more on the murky themes in a minute).
Second, we have no great Moment of Truth here. Because the actual conflict began so late at the First Pinch Point, Merida's character arc is drastically delayed. She can't have her Moment of Truth revelation yet, because the story hasn't moved her that far along.
Third, I have major issues with how blithely the movie treats the mother's actions in the First Act. Although both Merida and Eleanor undergo positive change arcs by the movie's end (and although Eleanor definitely suffers more than Merida), the movie places the burden of blame on Merida from the very beginning. She never intended to turn her mother into a bear; she only wanted her mother to change. From beginning to end, Merida is punished for that not-so-unreasonable desire as much as for her misguided (but guileless) actions.
In the end, the lesson Merida learns is that her mother was 'always there for me' and 'never gave up on me.' But this is never shown in the First Act. The movie forces viewers to take the mother's parental love for granted even in the face of her drastically questionable behavior toward her daughter. To really reinforce the importance of Merida's journey, the mother's reliability and loyalty should have been emphasized just as strongly as her faults in the beginning.
Instead, it is Merida's teenage spirits, entirely understandable hesitation over betrothal to a total stranger, and resentment of her mother's inability to see her https://truehfiles256.weebly.com/cbcs-certification-exam-guide-test.html. needs that are punished as 'pride' and selfishness. (Granted, Merida certainly has things to learn, but I would argue the story was wrong in wanting to make her bear the greater burden of blame.)
This isn't just the result of poor plotting in the first half. The movie's incredibly murky themes are all over the place. They include all of the following:
- Forced marriages shouldn't be questioned.
- Mothers will always be there (even when they're bad listeners).
- Wanting your mother to change is bad.
- Legends are lessons.
- You carry the ability to change your fate within you.
- One selfish act can turn the fate of a whole kingdom.
Varied themes are never a bad thing as long as they all tie together into a singular message. The biggest problem here is that the Truths Merida and Eleanor individually learn over the course of the story have nothing to do with each other:
Merida learns not to be selfish and that family bonds shouldn't be broken.
Eleanor learns that sometimes it's okay to break tradition and follow your heart.
And neither of them have anything to do with the bear symbolism—except to tie back into the ultimately extraneous legend of Mordu and the lost kingdom.
Second Pinch Point: While Merida and her mother are out in the woods, trying to figure out what to do before the curse becomes permanent at the second sunrise, they are attacked by the evil bear Mordu—and Merida realizes that in order to break the curse, she needs to return home and mend the tapestry she sliced with her sword.
She experiences her Moment of Truth shortly before this while watching her mother learn to fish and survive in the wild. It's a nicely understated glimmer of understanding between mother and daughter—but it comes regrettably late in the story.
Third Plot Point: Back home in the castle, Eleanor is briefly overtaken by her bear nature. She attacks Merida and her husband and flees. Merida's father believes the bear killed Eleanor and goes after her to kill her—locking Merida in behind him.
Climax: Purchase snow leopard apple store. The Climax is all about mother and daughter protecting each other. Merida protects Eleanor from her father, and Eleanor protects Merida when Mordu attacks. On the surface, this seems a nice way of 'showing' how the characters have changed. But since there was never any doubt that both women would protect each other against lethal force despite their differences, it really doesn't do much to prove the specific changes that have happened in their character arcs.
Climactic Moment: At sunrise, Merida repents of her pride and Eleanor turns back into her human form.
Resolution: The tribes return—having decided all their children should have the right to pick their own mates. Merida declares that 'fate is within us'—which, frankly, harks back to the events of the movie in only the vaguest of ways.
Notes: Am I being hard on this movie? Absolutely. The pieces here are so much better than the whole that it's a shame the mistimed plot and murky themes weren't so much tighter. If nothing else, it goes to show the importance of resonance and symmetry in our plot and theme choices.
On a recent branding project, a client asked if we knew of any scientific studies on the meaning or perception of color. Momentarily silenced by the brilliance of the question, and kicking myself that I hadn't thought to ask this question myself, I said 'No' and immediately began to search.
What I quickly learned is that the 'science' of color theory, or color psychology, is an area that has much room left for exploration. Color is everywhere: fashion, advertising, food packaging, cars, décor, sports team colors, just to name a few. Understanding people's perceptions of it is complex, confusing and quite challenging.
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In the West people wear black for mourning, while in the East (China in particular), white is the color of mourning. In many informal surveys, the majority of people name blue as their favorite color. It's claimed that red and orange make you hungry because they are 'warm' colors and thus stimulate the appetite (ever notice the main colors used by fast food restaurants?).
There is a study on how wearing red jerseys seemingly resulted in a sports team winning more than when they wore blue ones. You can read about it at Der Spiegel and National Geographic. In the sports jersey study, one theory suggests that red intimidates the opposing team because it's a signal of strength (based on male strutting in the animal kingdom). Another suggests that is stimulates the winning team. But this doesn't explain why the 'donate' button on so many websites is red. We suspect that organizations have done some A/B testing and determined that red got better results than the competing color—perhaps because it captures attention.
But, is red really red? Scientists from Arizona State University published a study on the differences in how men and women see the color red in the American Journal of Human Genetics. The study shows that while men tend to see 'just red,' women see a much wider range of colors, such as burgundy, tomato and crimson. There is a gene that lets us see the color red, and women happen to have two copies of it sitting on the X chromosome. Men have just one copy. So I have to wonder how the sports jersey would fare with female teams.
A man named Faber Birren appears to be the father of Color Psychology. Trained at the Chicago Art Institute, he first tried to become a landscape painter but realized he didn't have a talent for it. Instead he became an industrial color consultant, keeping diligent records on color trends for items such as paints, furnishings, and plastics. He wrote numerous articles and books on subjects such as how color can reduce fatigue, heal or even reveal information about personalities. And he had a large influence on the development of factory and other workplace environments.
The most scientific source I found regarding a comprehensive approach to understanding color perception was a formal academic research project by a man named Joe Hallock, who is currently a user experience designer with Microsoft. His project consists of a detailed and properly controlled survey of 232 people across 22 different countries, and is full of pie charts and graphs that clearly show trends. https://ameblo.jp/1fircurlu-binm/entry-12650476962.html.
It identifies differences in how men and women perceive color (men tend to dislike purple), how our color preferences change as we age, how colors relate to certain concepts (such as bravery), and how color may relate to a person's online activities (such as shopping, making a donation or sharing). He was unable to attract enough people to obtain meaningful information about cultural differences—though that had been a primary goal at the beginning. Nevertheless, what he did learn is fascinating, and incredibly useful to the practice of branding and marketing.
It's important to understand that the perception of color may vary widely based on multiple factors: age, gender, cultural identity, time of day, type of lighting, scale, environment in which it is displayed, structure and function of the individual eyeball/brain connection and more.
For example, in Hallock's study, he discovered that purple is one of men's least favorite colors, but it's also a color they associate with the concepts of bravery and courage. This is interesting in that it underscores the subjective nature of color perception. Here, it seems as if the generic idea of the color 'purple' is not liked by most men, but the association of a Purple Heart medal with bravery and courage puts the color into a different context, and changes their response to it.
To successfully use any information about how people perceive color we must first have a strong understanding of the audience demographic, combined with knowledge of the specific goals of the client.
Armed with that information, we might then begin to have an idea of the best color choices for a logo for a nonprofit organization that supports war veterans, or for a for-profit organization that supports the human resources departments of multimillion-dollar companies. We might better know what color to make the 'donate' button on a home page, or the general color scheme for a business card.
